On Tour

The Noel Streatfeild kick? Still going strong…once this review is done? Off to e-Bay to see if any of her Susan Scarlet romances are available for a decent price! First, let’s take a look at volume two of Noel Streatfeild’s semi-autobiographical series, On Tour: An Autobiographical Novel of the 20’s.

Published in the UK as Away From the Vicarage, On Tour: An Autobiographical Novel of the 20’s shows us Victoria Strangeway as an adult. World War I has ended. It’s been a very rough time but the vicarage has survived. Victoria, Isobel and Louise have returned from their war work, younger brother Dick has been wounded but will be headed to university soon. The vicar is still a walking saint and Mrs Strangeway? She still can’t manage her household for beans even though the vicar has inherited property from his late parents. And there’s a new Strangeway, littlest sister (totally a surprise baby) Theodora. Who knew the vicar and Mrs Strangeway were still…well…you know…Theodora is charming, clever and wonderful and thanks to the age gap between her and the others, is almost an only child. Louise has dropped a bombshell, she’s getting married and moving abroad with her new husband. Is there a place for Victoria in all this change?

Turns out the answer is NO. So Victoria summons her courage and goes to train as an actress. Because of the general family reaction (actress=scarlet woman) Victoria decides to take the name Victoria Sonning. Her theatrical training is hard and she has little money but Victoria is determined to live life as much as possible and shake off the vicarage shackles. A reader used to Streatfeild’s children’s novels might get a little shock when you realize that Victoria is pretty much prostituting herself to get money and clothes from her suitors. She never goes the full nine yards but you get the feeling she’s come awful close a few times. And is it that much different from Louise marrying so young? But sisters are doing what they have (and who they have) to do to escape the confines of the vicarage. Their parents aren’t horrible people but vicarage life is confining and narrow for the eldest Strangeway children.

Victoria manages to survive her stage school and then plunges into the world of a professional actress. She gets work and travels all over but you get the feeling that her stage work doesn’t truly fulfill her. And she certainly doesn’t care for the narrow and grimy life in theatrical digs and the constant moving around. Africa is enchanting but being thought of a Jezebel and a man-eater thanks to a some less than brilliant behavior and two male members of the theater company dying casts a cloud and stain on her acting career. People will always remember the scandal over how good her performances are.

On Tour is such a sadder book than A Vicarage Family. The younger Victoria had a fire and a zest that not even the wartime death of her beloved cousin John could quench. The older Victoria? The rough patches in life really send her skidding. The spark that got her to pursue a theatrical career vs life as an unpaid curate/domestic slave to her parents dims the farther she gets from school. Her longing for a home and love leaps off the page and when she realizes her so called love isn’t truly “in love” it’s a cut that almost destroys her more than the scandals that plague her acting career.

The other issue that makes On Tour a much different experience than A Vicarage Family is how closed off Victoria is. In A Vicarage Family you feel all the injustices and joys of Victoria’s life. She crackles and blazes and jumps off the page. You understand exactly why Annie is drawn to her and defends her. Maybe it’s because of the upheavals of the war or the changes in society but On Tour Victoria holds back and only gives us glimpses into her life. Was Noel Streatfeild ashamed of her life and feelings then? What was so awful that she makes Victoria a pale shadow of the girl that intrigued us so? Is it because S-E-X rears it’s head?

You can almost feel the squirming when Streatfeild writes about the appearance of Theodora. Yes, Noel/Victoria was a product of a very Victorian upbringing (Her sister Louise had no clue why she was getting sick every morning only weeks after being married. Just how much if any talk did Mrs Strangeway have with her daughters?) You might be tempted to think what keeps Victoria from actually jumping into bed with her suitors during her training isn’t the consequences (Theodora/the village girls illegitimate babies) but the actual act of sex itself. She is certainly repelled by Louise’s husband Him. Maybe it’s this disgust of sex that keeps her with her “we shall have a white farmhouse” suitor for so long because it seems crystal clear to me that this suitor might be happier with Dick Strangeway than Miss Victoria Sonning. Then again I could just be having one of my Gwen’s Crazy Literary Theories. Because I find Victoria Strangeway an interesting character I want to read more about no matter who or what she loves.

Even with it’s issues, On Tour is a must read. Even if many things are white-washed it still gives an interesting look at leaving a very moral and upright world for one with looser boundaries. And it makes you want to track down more of Streatfeild’s adult works. And exploring an author’s full writings is never a bad thing.

 

 

 

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