Sometimes you finish a book and wonder what the same plot would be in another author’s hands. This can be very interesting but not the most productive thing when midnight isn’t far off, and you have to be at work the next morning at 6 am.
Enter Eleanor Ray’s The Missing Treasures of Amy Ashton. The cover looked interesting, and the inner jacket copy had me tucking it into the library bag. If the first 20 pages didn’t captivate, I could always just not finish it and get a good night’s sleep for once. Imagine that.
Unfortunately for my sleep app, a good solid seven hours of sleep wasn’t in the cards. You meet Amy Ashton at a leaving-do (or if you are an American like me, drinks to celebrate a coworker’s departure). Amy isn’t psyched to be out or knocking back the drinks and within a few paragraphs I’m really liking Amy. I might not tuck an empty green wine bottle into my bag and then have a train full of people thinking I’m a raging drunk but the level of uncomfortable is familiar.
Then the story takes a turn. Amy is broken by something in her past. And her coping/survival mechanism is to retreat into things. She has a house but it’s literally falling apart and trying to get to the upstairs would honestly be excellent training for an Everest expedition. Sure, one neighbor is super annoying, but lady has a point. Someone needs to step in and stop things before someone gets severely injured.
And here is where Eleanor Ray’s genius lies. You could take this same plot, thirtysomething lady with a mystery past and deep personal issues and put in the hands of another author. Let’s say Marian Keyes because yup, I’ve devoured so many Marian Keyes books both good and bad. Marian Keyes isn’t a bad author; she has her strengths and can write a solid book.
But Marian Keyes’ Amy Ashton? The book would have been at least twice as long, we would know exactly who Amy and Chantel would be listening to while doing their makeup and watering down Toyah’s liquor cabinet. Also, I have the suspicion the Marian Keys’ Amy would have boinked the baddie and hoarded fancy handbags too.
Laurie Notaro could have done a lovely job, but her Amy would also have a crippling eBay/vintage collection to tuck into any corners not crammed with the local newspapers/bottles/broken pots/cups plus a few adorable elder dogs.
Never ever let me be the Plot Fairy doling out plots to authors.
My point is Eleanor Ray keeps the plot lean. That leanness helps disguise who the baddie is. He seemed to be engaged and wanting to help. And I like that Amy doesn’t magically get better once the main mystery is solved. She is still a hot mess, and she has a hard road ahead even if you can now see the floor of her front hall. And we leave her at the start of her journey. Anything can happen now. Any wonder why I didn’t stop reading even when the spouse wandered into the bedroom for his nasal spray and asked why I was still awake. Sometimes you must finish that book.
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